With the proliferation of software such as Adobe Photoshop, it is easier than ever to make models thinner, skies bluer and erase those pesky telephone lines from our prized photographs. Somewhere along the way, the average person on the street, or the novice to photography got the incorrect notion that manipulation is a recent innovation developing alongside the computer age.
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Photo Manipulation – Ansel Adams and Group f/64
Ansel Adams (1902 – 1984)
(Fifth in a series of six articles)
First, it needs to be noted I am not making a comparison between my photography work or skills to that of Ansel Adams. He is the subject here simply because of his popularity the admiration so many share for his popular works of art . I greatly admire his photographs as does most of the professional photographic community today.
Radical may be too strong of a word for Ansel Adams and his small group of photographer friends in the early 1930’s but they did represent an opposite view of photography than what was generally accepted at the time. This group of seven California photographers formed Group f/64 as an opposing point of view from the dominating New York pictorialist photographers of the time such as Alfred Stieglitz.